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2: The Jackin'" and imagines slave life on the B.B. On it, he idolizes his speakers on "My Sub, Pt. His 2012 major-label debut, Live from the Underground, served as a satisfying stew of Southern heritage, conceptual ambition, and old-soul spirituality.
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Soon after, he became an instant blog darling with more free album-quality projects. and Pimp C with its soulful beats and deft raps delivered with a charming Southern drawl. It would prove to be a stunning mixtape, earning him comparisons to T.I. After tinkering with production equipment in his grandmother's kitchen, he released K.R.I.T. is from impoverished Meridian, Mississippi, a no man's land for commercial hip-hop but a hotspot for rich experiences and personalities. became one of the South's most promising talents in the 2010s by bringing earnest self-reflection, trunk-rattling bass, and youthful energy to a consistently underestimated Southern rap scene. “Full Court Press” will be released April 8 through Asylum Records and Wiz Khalifa’s Pittsburgh-based production company, Taylor Gang Entertainment.Big K.R.I.T. “It’s a unique intersection of all of our work.” “It turned out significantly different that what I originally expected,” he said. The tour, which kicks off March 31 and comes to Pittsburgh’s Stage AE on April 30, is the first time Gillis has done a large number of club dates, as opposed to larger music festivals and one-off performances.įor now, however, he’s fine-tuning his stage show and looking forward to the release of “Full Court Press.” “It’ll get remixed into a context that works better for a party atmosphere.” “A lot of the stuff from this album won’t get played straight through live,” Gillis said. “It’s both exciting and challenging to be pushed creatively, and in the best situations, you find yourself enjoying someone else’s ideas more than what you originally had planned.”īut true to his roots, when Gillis debuts songs from “Full Court Press” at his largely-sold-out upcoming tour, fans may not recognize them instantly.
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“I spent so many years working alone,” he said.
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Gillis said the one-off collaborations he’s done in recent years helped to both prepare him for doing a fully collaborative album, and helped him realize the benefits of not being in full creative control. That vibe continues through much of the record, characterized by heavy, bouncy beats and melodic production that lends a wide-open sound to tunes like “How the Story Goes,” “No Singles” and “ Put You On,” which is anchored by a Nile Rodgers’ Chic sample. It kicks off with the heavy, stuttering beat and airy synthesizers and vocals “aahs” of “Mind Blown.” The pace on “Full Court Press” is much more laid-back than the dance-floor-ready sounds of Girl Talk’s solo catalog. “With these sessions, they liked almost all the beats that I wanted to play for them.” “Normally when I go into a session, I come in with hundreds of ideas ready, and maybe they pick one,” Gillis said. Blige’s early-‘90s hit “Real Love” with 1969’s “These Eyes” by the Guess Who.Īnd while that sense of sonic experimentation is alive and well in “Full Court Press,” the surprise of hearing two disparate records blending perfectly takes a back seat to music balancing each MC’s lyrical style. Girl Talk’s mash-up records stacked hundreds of samples atop one another, stitching together a musical pop-culture quilt that not only kept dance floors moving, but also discovered quirky, interesting song combinations, like blending Mary J. He worked in bioengineering before turning full-time to music in the late 2000s. Gillis is a Chartiers Valley High School graduate with a degree in biomedical engineering from Case Western Reserve in Cleveland. “I feel like it bridges the gap between that, and what I’ve done in the past.” “It’s closer to traditional rap production,” Gillis said. The result is “Full Court Press,” which will be released April 8, and it represents a new direction for Girl Talk. With my background mashing things up, it seemed like it could be a version of that.” “And as I was listening to it, I thought it could work really well as a group project. “I was able to get them to all collaborate on each others’ projects, because I was doing work with all three artists,” said Gillis, 40. On April 8, Gillis - better known as Girl Talk - will debut his latest effort, but this time it’s a full-length record mashing up his production with a trio of rappers from all over the country - Pittsburgh’s Wiz Khalifa, New York’s Smoke DZA and Mississippi’s’s Big K.R.I.T. Pittsburgh music producer Gregg Gillis made an international name for himself mashing things together - the Spencer Davis Group and Texas rappers Underground Kingz.